I was lucky enough to see them play it at
Knebworth in 1975 and if I could only possess one album, this would be it.
Snap! I have a picture of the rocket and one of the spitfires flying over ;D
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Welcome Izyvonskuzzmonkey
DSOTM is a seamless piece of music that must be played as a whole - I defy anyone to stop it once it has started playing (quite tricky if you're just popping along to the local shops in the car, but I did at some point become that obsessive). My favourite part is from the start of Us & Them through to Any Colour you Like.
Firstly, I guess, it's Rick's substantial musical contribution and keyboard playing that really grabs me on Us and Them. Rick was a true musician, not only was he the glue that held the Pink Floyd sound together, but he was also a great innovator . Secondly, Water's thought provoking lyrics conjure up all kinds of images ... listen son said the man from the gun, there's room for you inside .... then at the end, we have the old solider down and out on the street ... what did he fight for? ... now nobody has the time to give him the change for a cuppa and a slice of toast ... and as for the general and the lines on the map moving, this makes me think about the WW1 trenches when a truce was called at Christmas in 1915 I think and the opposing sides played football in no man's land. This is just a personal opinion of course, Roger no doubt had a totally different idea. Rose suggests that Roger was thinking about a game of chess when he wrote these lines and the general, who was probably not even present, moving his men (or playing pieces) across the battlefield (a map at HQ). I have heard that the closing lines of Us & Them were inspired by a George Orwell novel called Down and Out in Paris & London where it was mentioned that the homeless would line up outside a shop to get their "tea and two slices". Finally, Wright and Gilmour's superb harmonies hold the whole piece together ... it's really total perfection! Us & Them then flows right into the ultimate Wright/Gilmour instrumental (IMVHO) ... Any Colour You Like.
According to Phil Rose's excellent book, Which One's Pink? (an analysis of the concept albums of Roger Waters and Pink Floyd), and I quote:
Any Colour You Like acts as a bridge between the things that drive people mad, which are reflected in the albums previous songs leading up to Brain Damage .
Not the fear of going mad, but being perceived by others as being mad.
Rose states that, according to Waters, the title Any Colour You Like is related to the idea of not being free to choose and comes from the Cockney street traders that would travel to Cambridge. The trader's banter would go, "Any colour you like, they're all blue." because blue would be the only colour he had to offer and it just added to the patter to catch people's attention. So hence, offering a choice when there is none! Rose goes on to describe this theme transferring to the music, ie Rick's keyboards leading and David's guitar being secondary and although we hear two separate instruments, they play a single melody in perfect harmony.
It's like travelling down a tributary into a river I guess ... and you're not free to choose whether you go mad ... hmm, if that makes sense.
It's these intracies that made DSOTM special.
Anyway, don't take my word for it, get Phil Rose's book and have a good read. It will provide you with some very good quotes for your dissertation.
Incidentally, I'd love to read your dissertation when you've finished.